ARCHIVE
AMALIA ULMAN
interview by Hans Ulrich Obrist and Simon Castets
Hans Ulrich Obrist/Simon Castets: Where does your catalogue raisonné begin? What is the first piece you no longer considered student work?
Amalia Ulman: I can’t pick only one because
LIZ MAGIC LASER
interview by Hans Ulrich Obrist
LIZ MAGIC LASER For my Performa project I was working with a number of interviews that I was splicing up and adapting into a romantic drama. The first interview I found was the sarah Palin/glenn Beck interview that [...]
LYNETTE YIADOM–BOAKYE
interview by Hans Ulrich Obrist
HANS ULRICH OBRIST In your paintings you have a very clear methodology, which is actually quite conceptual. It sounds like, in a sort of On Kawara way, a painting a day. Can you talk about this? It seems [...]
ED ATKINS
interview by Hans Ulrich Obrist
HANS ULRICH OBRIST I wanted to ask you about how it all started. How did you come to art, or did art come to you? Was it an epiphany or a gradual process?
ED ATKINS In retrospect, it seems [...]
SIMON FUJIWARA
interview by Hans Ulrich Obrist
HANS ULRICH OBRIST Tell me about the work you recently presented in Basel, Welcome to the Hotel Munber, which is related to your childhood. I thought the emotive dimension was very strong. What prompted you [...]
PATRIZIO DI MASSIMO
interview by Hans Ulrich Obrist
HANS ULRICH OBRIST When we met for the first time, we talked about two italian heroes Boetti and Mario Schifano. You did a work on Schifano, Leptis Magna, I Was Born Here.
PATRIZIO DI MASSIMO Mario [...]
ZAK KYES
interview by Hans Ulrich Obrist
HANS ULRICH OBRIST We came together in 2007 from different contexts and different parallel realities. You designed our 2008 Serpentine Manifesto Marathon publication, for which we invited 70 practitioners [...]
