Francesco Manacorda: This is the fourth biennial that you have curated. In your opinion, what is the greatest potential that the biennial holds? What do you envision to be the future developments of these
Hans Ulrich Obrist/Simon Castets: Where does your catalogue raisonné begin? What is the first piece you no longer considered student work?
Amalia Ulman: I can’t pick only one because
Gary Carrion-Murayari: I’ve chosen to speak to you both because of the complex, evocative, or even disconcerting approach that you bring to familiar, everyday objects. Although the results you achieve are